Jambo! Visit to Brookhouse School, Kenya


Me (left) and the Doctor (right) in the fantastic grounds of Brookhouse School (no, it's not the Disney castle...)

Our second week on our Kenya trip and an opportunity to visit the Karen campus of the Brookhouse School, Nairobi. And quite an experience it was too!

A private school, Brookhouse is regarded as one of the most prestigious schools in the country and it is hard to deny that the campus is stunning: a small farm with ostriches, secretary birds and guinea fowl, life size sculptures of safari animals in the playground, the library with the 'learning tree' that is also a staircase (and also the pride and joy of Jonathan, the school's librarian) and a computer lab that is decked out like a space station. These are facilities that most schools in Kenya - and, for that matter, the UK - can only dream of.

While this material investment may be out of reach for many schools, the schools commitment to creative learning is not.

Meeting the deputy headteacher and curriculum leader Andrew Kimwele and teacher Susan Bantu, it was interesting to hear the school's approach to creative, cross-curricular learning. In language learning, the school prioritises independence, creativity, collaboration and application of language skills in the primary phase. This, the school claims, has a significant impact on the later stages of children's education.

Some standout ideas include holding writing and art competitions where children collaborate to create a unique artwork and creative writing pieces, publishing children's work in printed books, encouraging children to write for pleasure and using drama as a key feature of their literacy work.

But, OK, I will hold my hands up - the resources and materials available to this prestigious school is not an appropriate source of comparrison for UK education. Developing these approaches does require significant investments of money and time. But it is hard to deny that these practices are the key to developing confident, creative and flexible learners. As Brookhouse School reaps the benefits in Kenya, it is hard not to think that a focus on authentic writing experiences could have a significant impact on schools in the UK too.

Perhaps the key difference is not simply the resources available, but the freedom the teachers are given to experiment in an environment free from government inspectors, league tables and a hostile environment of surveillance, performance management and teaching to the test.

Filthy wretch or poor thing? Rethinking the Island, KS2, Week 1

A treat for the final half term - a new workshop at a delightful school in Leeds! This half term I am working with two Year 5 teachers to develop a cross-year group, cross-curricular writing project based on my favourite picture book, Armin Greder's The Island . I've done this book many times and every time the response is different! This week, we got to grips with the facts, possibilities and mysteries of the story. What do we know about the story so far? (we only ever read up to page 6 to leave it on a knife edge...) What doesn't this story tell us and what could we infer or predict? We looked at the crowd of islanders who 'welcome' the stranger's arrival. As in every class, country or community, no group ever sees the world the same way and we discussed how the islanders might react differently to the man. Is he a poor thing who needs to be rescued? Is he a curiosity? Is he a threat? We each adopted an islander and took on their perspective f...

Progression in primary drama - going beyond the National Curriculum

Drama is an integral component of primary English teaching. It is the engine that drives creative responses to stories, helping children explore characters, settings and predicaments. Yet the primary National Curriculum for England (DfE, 2013) makes scant reference to drama. Some generic guidance indicates the importance of speaking, listening and performing although these points are both too obvious and too generalised to be useful to teachers and subject coordinators hoping to embed drama across the whole school. When writing our forthcoming book, Teaching Shakespeare in Primary Schools: All the World's a Stage (Routledge, David Fulton, 2021), both Maureen and I felt that whole-school drama guidance for primary teachers - so integral to teaching Shakespeare's plays - was notably lacking from online resources currently available (apologies if you have produced such a document but we could not find it!). We decided to compile our own. In fact, you may have found this blog post...

Computer games and 'deep play'

“Computer games are not a waste of time. They help me think strategically.” That is the best excuse I could come up with when my wife asked me whether I had spent the day wisely playing the strategy game Rome: Total War all afternoon, rather than tackling the pile of assignments I had to mark. In a way, this is true. I don’t run a business or manage other employees. I work alone, usually teaching online, managing my own workload and switching between a variety of self-generated creative projects. So, growing a city, managing an army, designing a profitable dinosaur amusement park: these activities demand a different kind of mental engagement than my usual work. And, yes, gaming is also fun and, as a career in professional football management is unlikely at this stage in my life, it offers a simulated experience for things I am probably not cut out for (although, at 39, I still feel I have a season or two in me as a non-league reserve goalkeeper). Classic city bulding game, The S...

Search This Blog