A fter a chance bit of Googling this week, I stumbled across Twine - an interactive storytelling platform for building text-based games. It is a platform with pot ential for developing narrative in our schools . ⌚ 6 minutes   I have spent my summer reading. After spending lockdown in Thailand with a rapidly deleting selection of books (reading A Casual Vacancy was a last resort), coming back to a house of full bookshelves was a treat. It felt good for the soul to escape the worries of the present by slipping into another, fictional world whose problems were not my concern. I have also been playing a lot of computer games, revisiting many of the games that I enjoyed as a child: The Settlers , Civilisation , Frontier Elite , Rome Total War . If you're not a 1990s computer game fan then, no, you're not alone but please indulge me as I reminisce. This summer, with time on my hands, I started to think seriously about why it was I enjoy playing these games, and why they se...

Teachers are terrible for butting in, don't you think? If you're a teacher, or if there's a teacher in your family, you'll know what I mean here. In my local Headingley cafe, I am always wildlife watching for parent-teacher hybrids with their talk of 'making good choices' and loud interruptions to children's chatter with choice dollops of wisdom. I am just as culpable. Taking my nephew to the park, the teacher that lurks within me spots the opportunity for quick lesson on plant life or bird migration. Cue deep sighs and athletic eye-rolls from my nephew. Reading a book with him is too tempting to pass up an impromptu phonics lesson or when playing computer battle simulations together on Rome Total War , I can't help myself from giving him a little lesson on the Roman Empire as I pulverise his centurions with my Egyptian chariots. The inner teacher bursts out, hulk-like, from your unsuspecting human form. As a teacher of writing, I have become more...

Being an author is not just about writing a story - it is about telling a story. I often tell the children I work with that they are like magicians or puppet masters: they can cast the spell or pull the strings of the reader. How they navigate the reader through the story is in their hands. Over the last few weeks I have been working with a group of children at Valley View Primary School on a topic exploring immigration and the voice of both migrants and those who receive them. The work is based on The Island by Armin Greder, a tale of a man washed ashore and the community who decide what to do with him. The key stylistic element I have taught these children is the skill in which they manipulate the reader. Whether it is dropping subtle hints as to what will happen later or using the weather to signal the worsening mood of a story (e.g. the sky getting darker, the rain getting heavier), these tools go a long way to developing the children's voice as authors. Coupled with ...

Course title: Becoming a DIY Writer by Stefan Kucharczyk Venue: Pudsey Lowtown Primary School, Leeds Monday 5th September 2016 Forget the back-to-school, doom and gloom Facebook memes, the start of a new term is a chance to bounce around new ideas and get back to being creative (even if it doesn't seem like that at 7am in the morning).  What better way to get started than spending time discussing ideas for writing with the wonderful staff at Pudsey Lowtown Primary in Leeds. I was asked to deliver a teacher training session focused on embedding the writing process, especially how to get children in a position to write and how to help them edit and redraft their work afterwards. The school are embarking on a new direction with their literacy planning this half term, using picture books as inspiration for getting children acting, talking and writing. To prepare them, we looked at ways to unlock the mysteries of Armin Greder's chilling tale, The Island.  ...

Macbeth Creative Writing Workshop Week 1: Bard Banter Text: Macbeth, adapted by Leon Garfield. With the 400th anniversary of Shakespeare's death this weekend, I have taken the opportunity to introduce a little bit of bard banter into my creative workshops. Starting a writing and drama project on any of Shakespeare's plays can be a daunting task, but helping the children get to grips with some cutting Shakespearean language is a great place to start. It goes without saying that getting the chance to insult the teacher with some saucy, impish quips certainly helps loosen up the shy performers! Using the fabulous Shakespeare Insult Kit as a starting point, the children were quick to get to stuck into a little Elizabethan trash-talking. Here are some zingers: Wipe thy ugly face thou fishified, fat-kidneyed ratsbane!     Hark! Thou logger headed, earth-vexing hugger mugger! Lead apes in hell thou toad-faced, gorbellied flaxwench! Hark! Wipe thy ugly face thou goatis...

In this workshop, I am using art as a means of developing a sense of character perspective. Our artwork looks at 'the people' and how they might react to the intruder. The art and writing are different accounts of the same event. W hen used in the right way, art can enhance great writing even further. Creating art that speaks to writing Week 5 "If an illustration only repeats what the text is already saying then either the text or the illustration is superfluous... The pictures carry the story on their own."  Armin Greder, The Great Bear (1999) It is always warming to hear an enthusiastic teacher describe a great book as a 'goldmine'. I find it comforting to imagine them burrowing through the themes, vocabulary and ideas to take their classes to the heart of a book. Teaching that aims to dig below the surface can immerse children in new worlds and, almost inevitably, produces great writing.  Another rich vein of creative possibility for literacy...

"Raised pupil's writing by at least 1 sub-level - developed their ability to apply knowledge. Hopefully we will see ARTiculate in our school again!" A Howdle, Literacy Coordinator You're entering the final stretch now, everybody! Well done! But before you hang your whistle up for the summer, there is a way to get a head start on next year by guaranteeing your children's writing will get off to a creative flyer. ARTiculate is launching a new creative literacy workshop that includes discussion and debate, drama, writing and art: a dead cert to get your new class buzzing! Our new workshop 'Human Zoo' is based on the book Zoo by Anthony Browne. Turning the world on its head in true Anthony Browne style, we ask how would the animals see the strange behaviour of the human visitors? Indeed, who really belong in the cage? Not only does this workshop meet the National Curriculum objectives for literacy, it fulfills the art ones too. Pretty nifty, eh? By ...

Text analysis is key to helping less confident writers build a framework to hang their ideas on. I t is the solid foundation that supports the imaginative flourishes of a quality finished piece.   A good author is a good reader! Week 3 "I love books. I love that moment when you open one and sink into it, you can escape from the world into a story that's way more interesting than yours will ever be." Elizabeth Scott   Do we at ARTiculate have a catchy slogan? If we did, it would probably be the best slogan in the world. But, if I was going to adopt one here and now it might be: "Read. Then go for it!"  The importance of reading for an author is difficult to overstate. How can you write convincingly if you've never read a convincing book? Drawing on other people's ideas, being inspired by another's use of language, seeing how a text is structured - all essentials  for a budding writer. When you're working on a short, picture bo...